THE OPEN WINDOW
Late that night, long after old Martha had removed
his supper-tray, Magnus stood staring out of his open window into the
darkness.(...)
And as he undressed himself the familiar smell of dead seaweed kept
entering his room
; and a strange phantasmal Weymouth, a mystical town made of a solemn
sadness, gathered
itself about him, a town built out of the smell of dead seaweed, a town
whose very walls and roofs were composed of flying spindrift and tossing
rain.(...) Then something in him gathered itself together, as it always
did, to resist this hopelessness. And as he felt so preternaturally
self-conscious tonight he began once more trying to analyse the precise
nature of this power in him upon which at a pinch he seemed always able to
call.
But he could no more catch its real nature or even decide whether it
was a good or an evil motion of the mind than he had been able to do when
he was sitting on that bench in the wind. (...) It had something to do with seizing upon some dominant
or poetical aspect of the physical present, such as this sea-wind now
blowing into his room, such as these dying coals, such as that bulge of the
red curtains, and drawing from it a fresh, a simple, a childish enchantment
- the mystery of life reduced to the most primitive terms - that was able
to push back as it were by several mysterious degrees all the emotional and
mental troubles of life.
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